Saturday, September 7, 2013

What's Another Scar?

The scar in the sharp incline of my knee
Stitched within the thin flesh atop my irregular bone
Is still raised as if a sewing needle was fished through my skin
But it’s faded just enough to mark its origins
On a timeline of a past millennium

I got this scar in a moment of acting my age
No taller than the aubergine irises that lined the outside wall of the garage
I didn’t give it any thought
I just launched myself onto the swing
Stomach first
And soared with my arms stretched as far as they could go
The breeze that rushed my face with each sway
Robbed me of breath and kept me coming back for more
Introducing me to my first dose of pleasure from pain

Lost in myself and the rhythm of feet pushing off ground and throwing my body forward
I didn’t think to keep my guard up
Not really sure if I knew I had a guard
And the treacherous swing released me from its grip
Head first
Into the rock garden that always gave me such joy in early March
When carpeted in amethyst crocus
But on that day the jagged edged rocks weren’t softened by growth
They were harsh in the manner they handled me
Striking my head, tearing into my palms, stabbing my knee  
And thoughtful in the flecks of silver and gold they gifted me
Shimmering in and around my wounds

A rip in my hand spilled blood that trailed to my wrist
Droplets soaking my DNA into the soil
And I raised the wound to my lips
Tasting the blood with the tip of my tongue
Gently sucking to stop the flow
It felt wrong and nurturing
To taste and soothe the gap to my hidden self  

The swing broke my trust that day, the rocks my skin
I never soared again
I sat from that day on, pumping and kicking
My back to the cold stone
Some things are sacred and won’t ever be washed in grey
My trust being one
But I can’t find fault with the joy born within my new view
Feeling the tickle in my stomach with each steep sway
The tall oak begging for my toes to tickle its leaves
The scar I swirl with my finger tip
When a flesh ripping idea gets in my head
And I think to myself
What’s another scar?

E.A. O'Connell

Friday, September 6, 2013

Fireflies and Mason Jars (summer nights)

Summer
Fluid in watercolor spread
Rolling into the periwinkle hour
Pinpricked with dancing fairy light
Caught in tender tea cup hands
Poured into antique glass lanterns
Guiding curious bare feet
Through knee high grasses
The tickling honeysuckle breeze
Drifting past bedtime chimes
Their woodsy Wonderland
A laughing adventure

E.A. O'Connell

Thursday, September 5, 2013

Where Bird Will Love Fish


While reading this piece, remember my request...enjoy, fear, detest, embrace, or whatever it is you may feel while you read my works, just please feel something...

Her briny tears leave crystalline trails
streaking her cheeks
that she gently brushes from rosy flesh
dropping within the ocean
mingling with the sandy bottom and hidden relics 
Under daylight and midnight
the weight of the swelling tide’s push and pull
the sharp fragments of glass tumble and soften
gradually making their way to sun washed shores
Mermaid’s tears
a misread fortune
bearing souls in multihued debris
pocketed and jarred as a stroke of great luck 


The legends make her a chilling siren
a warning of peril and choking ends
Her sex woos a hypnotic flirtatious trance
that begs for men to dive to her open arms
an embrace that drowns them
in a desire they wouldn’t succumb to if in right minds
Her sex vilified as a weapon
her nature dragged through the muck
pushing her to limits
questioning if she may be the insane
for wanting to hurl such a tool to a remote island
no longer burdening her
with such a profound stigma

She knows no such legend
to reside within or beyond the curves
that replicate the shapely bottles
that carry impassioned tales of love to Poseidon’s post 
She’s merely a girl
she sees nothing more than a girl
trying to make sense of a heart
that floods with pains born of a love
that still rests deep within another
She invents new hurt to punish herself
for loving one so uncommonly desirable
because how can a fish love a bird
she the daughter of salt water
and her other
the descendant of sea air

All she dreams of is a kiss on the shoreline
being held close
pinned down
her hair tattooing wavy seaweed impressions in the sand
her iridescent scales pressing golden flecks into flesh
like the mica that glitters within the soil
below wings that ignore the gravitational pull
making their own laws
ascending to anxiety inducing heights
that steal one’s breath with dreams come alive

Her reveries bloom into smiles and laughter
that slowly wilt into inaudible sobs
consumed by the rushing waves
thrashing her about with a rough touch
plunging her to swallowing depths
haunted with an ethereal fluorescence
Her lungs impervious to the water’s hostile takeover
she calms the internal struggle
releasing
liberating
her Piscean form breaking the surf
chasing the horizon
sea and sky marrying
she seeking the happy median
so a fish can make a home with a bird

Her other spent most of life disguising wings
seeking out mariner’s tales that tell of a lovers kind
building trust with the vast oceans
spilling their secrets
Her other’s soul feels her out
wings repeatedly descending
toes splaying in the sand
pink, white, black sandy beaches
waiting for her to surface
Picking up shells along the way
holding them to each ear
hoping to hear the whispers directing to her whereabouts 
Palms coveting shards of sea glass
fingers tracing smooth edges
holding them to the sun
watching colors burst with new dimensions
flinging to flat water
watching them skim and skip
disturbing the tranquility


Her others eyes open to the horizon
sky and sea fusing
a harmony where sun and moon
rise and set
unmarred by mans fear-stricken touch
where bird will love fish
defined in organic terms
written on their hearts
set in motion
their own terms  


E.A. O'Connell

Wednesday, September 4, 2013

Prison Girl

She sits in a self-imposed solitary in the barren yard.  The grass is cut close to the hard earth; sun-faded to a near death yellow and beaten down by heavy soles to a texture of splintered straw that pierces through the thin fabric of her pants into the pale flesh of her butt and thighs.  She’s reminded of its nasty temper every time she shifts and the blades stab her, radiating a tingling warmth through her spine that peculiarly reroutes as nerve signals in her toes, arms, abdomen, and neck.  She can see figures passing in her peripheral vision, but she ignores the shadows and turns a deaf ear to the hum of voices that blend in an out of tune arrangement that would offend her discerning ear if she didn’t take such a measure.  It’s a bright day.  The harsh sunlight reflects off the collecting stark clouds, bleaching the sky in an electric white that distorts the vision long after finding shelter in artificial light.  To beat the boredom she cups and stacks her hands into a telescope, peering through the marble-sized tunnel it creates, scanning the yard; rusting chain-link fence, weathered picnic table and chipped bench, stained cinder block wall, raucous geese flying above in a V formation that resembles a preschooler’s undisciplined handwriting.  It’s still summer September, with warm extended days, but autumn is hovering and quietly making herself known in the smell of ripening foliage that infuses the crisp tail ends of the seasonal breezes.  She continues to scan her surroundings until he comes into her line of vision.  She wasn’t seeking him out, but there he is, just like most days in the last seven months.  She peers at him through the telescope, taking mental notes of his unchanging attire, his shifting demeanor, his unmistakable good looks.  His aviator sunglasses mask his eyes and the direction they are aimed, but she knows they are trained on her, burning through the reflective lenses and boring holes into her meditation.  She releases her hands to her lap, but her eyes don’t leave go of his rigid form.  She loses herself so deep in her reverie that she misses the alarm that sounds the end of recess, as well as the baritone voice of the black clad guard who has no patience for her dawdling.  He stomps to her side, forcefully kicking her in the left thigh with his over polished, black, steel-toed boot.

“Get the fuck up bitch!”  He bites the words with the foaming ferocity of a rabid dog.

She doesn’t flinch or wince from the pain.  She keeps her composure and with an air of indifference and a stone cold face, rises to her feet and begins walking towards the yard’s exit.  She is the last to leave the pen, and as she walks through the chain-link corridor that leads to the neighboring mushroom cloud grey building, she raises her head slightly to the right, catching sight of her diminutive figure in the lenses of his sunglasses, his body stock still and segmented by the lackluster fence into hundreds of uniform puzzle pieces.  She steps into the harsh fluorescent lighting, the heavy armored door swallowing her, the locks pounding into position.  He slowly exhales and acknowledges to himself that she is a peculiar and bewitching beauty, who has the uncanny ability to make him uncomfortable about his existence and agonizingly hard.

She spends her afternoon in the deplorable prison library that rarely sees more than four or five visitors a day.  It’s a small, rectangular cinder block room painted flat, muted sea foam green, the same green as the girls room in her first elementary school; a grueling three months she doesn’t like to be reminded of— ever.  Extending along the top portion of the north facing wall, are six rectangular windows that resemble fish tanks on display in a pet store; the humor of such a comparison isn’t lost on her, she being so exposed twenty-four seven.  Each window is encased in a cell of its own and the sight of them makes her yearn for how the world looks unobstructed by chain-link and iron bars, and how true silence sounds, not the artificial silence they enforce within the prison walls.  Her time here has almost run its course, and she silently sends a prayer asking, pleading, that this be her last imprisonment.  Her appeal is interrupted by a husky female voice. “You’re Moira, right?”

She turns around to see a thick blonde with a worn face, eyes weighed down by heavy bags and rimmed with dark circles.
 
She offers a small genuine smile and replies with a simple, “Yes.”

The blonde moves in a step closer.  “Is it true…I mean, the rumors I hear…were you with Dolly when she died?”  The blonde’s shoulders are tense and the dams behind her eyes look ready to break. 

Moira releases the smile, but holds onto the gentle voice, answering in a single, “Yes.”

The blonde tries to stifle a painful gasp.  Gathering her composure she hesitates, an indication that she doesn’t really want to know the answer to her next question.  “Was it suicide?” 

Looking her straight in the eye, Moira offers the same reply, “Yes.”

Tears come unloose, spilling over the blonde’s bottom lids as she angrily thrusts her hands in her short hair, turning away and then back again, a toxic concoction of anger, frustration, and grief restraining her from lunging.  Her raw emotion causes each breath to shudder and her barely audible voice cracks with each word.  “Why. Didn’t. You. Stop. Her?”

Moira pauses for just a moment, thinking back to last Wednesday afternoon in this very room, within the shelter of the tall, heavy bookshelves.  “It was already set in motion.  I was with her, keeping her close, so it wasn’t a lonely passing.”

No longer protected by her harsh front, the blonde reaches for Moira’s hand, but thinks twice about it and pulls it back.  Moira doesn’t need to think, her body instinctively knows how to comfort the blonde.  She just reaches forward and takes her hand in hers, squeezing it just once.  The blonde tries to put her thoughts into words, but they are swimming and her voice is choking on the sobs balled up in her throat.  “Did she…Was she…Any words…Did she know…”

Moira takes her left hand and delicately caresses the blonde’s right cheek with the back of her slightly curled fingers.

“I pulled her into my lap, sang to her as I stroked her hair.  She smiled as she leaned into me and softly whispered, ‘Mama.’”

The blonde pulls her hand free, squatting low to the ground, where she holds her face in her hands as she cries, her body forcing a self-soothing rock.  After a few minutes the blonde stands, gaining her composure and repositioning her defensive armor, resuming her rigid posture, her face now grim lines and blood shot eyes. The blonde turns to leave, but a new thought surfaces and as she turns to ask Moira, the library door opens and in walks a young guard, his aviator glasses perched on the top of his head.

“Cole!  You got a purpose in here?!”  He smokes and drinks too much for someone his age, and the effects of both are given away in his hoarse voice.

The blonde turns to the guard and manages a solid “No” as her reply.

With a sharp edge to his tone, the guard snaps, “Then get the fuck back to Gen Pop!”

The blonde doesn’t resist, she does as is commanded without turning back.

He stares at Moira, salaciously eyeing her in the prison-issued scrubs.  He uses a friendlier tone with her.
“Are you almost done here, Rhan?”

 She politely answers, “Yes, I think we can go now.  But first, could you help me check the receiving hall for any packages?”

He’s irritated by her request, but he figures it’s a way to get a few more minutes with her, so he feigns annoyance and barks, “Quickly.”

He walks with heavy feet to the antiquated steel door; it’s chipping green paint and rusted rivets giving it a haunted appearance.  He flicks the light switch beside the door, before pulling his key ring from his overly accessorized belt.  Standing beside him, she internally counts each key as he splays them between his fingers.  He finds the one needed and unlocks the door.  He has to use some effort to pull it open, and it leaves him feeling slightly winded.  Forgetting himself and where he is, he graciously acknowledges that she is a lady and proffers his hand to her as she enters first.  The receiving hall is original to the building; disintegrating stone walls draped in middle-aged cobwebs, a dust and dirt coated stone floor, a single hanging light bulb that casts an amber light partially down the long corridor.  The receiving door is at the end of a dark passage that branches from the main hall, which continues deep within the shadows to a depth unknown to most employees of the prison.  There are a number of boxes stacked into three piles midway down the hallway.  As he releases the heavy door, it slowly shuts with a fading creak, obscuring their presence from any who enter the library.

“You stand here, okay Rhan.”  He points to the threshold, his words commanding not questioning.

She sweetly answers, “Yes.”

As he walks towards the week old shipment, he is overcome with a slight disorientation, the calico light and shadows making his vision lose its depth perception, his head reeling and dizzy.  He turns behind him to see her still standing in the exact spot he ordered her to, her eyes glued to him, a sweet smile stretching across her face, directed at him.  He turns back and approaches the boxes.  He begins carrying each box into the library, each time she kindly holds the door open for him, and with each pass by her he takes in something new; she smells of cypress and citrus blossoms, her thick mahogany hair is tied up in a pony tail and is silken and wispy, her eyes catch even this unflattering light and reflect it as a star or planet glints in the dark night, her milk glass skin is free of all flaws, not a mole, freckle, beauty mark, or scar mars her.  He returns to the second stack, sweaty and heart racing, and as he picks up the second to last box he loses his grip and it falls forward, the open flaps releasing a book to the ground that coughs a dust cloud into the air with the smack of paperback on stone.  He juggles the box back into an upright position and gathers his bearings before proceeding with his task.  She continues to watch his every move with soft eyes and a gentle smile, quietly studying his moistening flesh, his unstable breathing, and staggering legs.  As he bends to pick up the next box, he feels a choking ache devouring his chest and suffocating his head.  He drops to his knees, hunching over as his nails etch pain into the dirt.  He looks to Moira, his voice silenced as tears streak his cheeks.  She offers him a compassionate acknowledgement with the tilt of her head and pout of her lips.  As she gracefully walks to him, his vision distorts her, separating her into three female entities, and his ears are overwhelmed with a trio of feminine voices singing an ancient operatic piece in a language foreign to his ears.  In between his body lurching and burning from an energy begging for liberation, he desperately tries to plead for her help.  She kneels before him, taking his chin in her left hand, silencing his mouth with her right index finger as she hushes him, “Shhhh.”  He looks into her eyes and begins to still as she first kisses a tear from his cheek and then gingerly whispers to his ear, “You won’t feel a thing.”  He gradually shuts his eyes, and all at once a warm spiraling release fills him with childhood innocence and unsullied joy, when time had no significance and everything was executed with wild abandon.  She holds him close to her breast, embracing and absorbing every thought and feeling that carried and bound him to this moment.  He could feel himself losing touch with his physical pain, and immersing into the rhythm of her breathing.  Unable to rally the strength to lift his eyelids, he lets his mind unlock hidden childhood memories; sitting atop his father’s shoulders during Fourth of July fireworks, only four and so proud to hold his baby sister for the first time, his young mother cooking breakfast in their sunny kitchen, she singing a florally tune, as she turns and smiles at him—and then the sharp, metallic slice of scissors.


She tenderly lays his limp body onto the floor beside his incomplete chore.  Pulling herself up from where she knelt, she ignores the grime that coats her pants and hands, and quietly takes her leave down the dark corridor; gradually dissolving into the shadows.  Inches from his lifeless form rests an errant paperback copy of the palpable thread that tied him to her…The Moirae.  

E.A. O'Connell

Tuesday, September 3, 2013

Poseidon's Litter

The ocean’s purpose rolls
Thousands upon thousands
Languages dead
Fossilized
Worn as anniversaries
And mementos of firsts and finals
By summer sunners who bare their souls
Baptizing in the restorative salt waters
Silently releasing pangs and pains
Morning glories and evening ease
Into crashing waves
That bathe their feet and lick their thighs
As only a true lover can
Ever aware of boundaries
And disregarding their place

Summer drifters tuck their secrets in shallows
Poking holes with their toes
That erase with one swell
To be honestly absorbed and completely forgotten
Beneath the hungry, hypocritical laughter of gulls

Years of moody ebbs and flows
Rife with grateful returns, poignant farewells
Allow summer witnesses
Lighthouse perspectives  
Of stormy seas
Frothing with anger
Vengeful and obliterating
And placid plains
Welcoming the contemplative float
Making man believe he has faith enough
To step out and walk upon water

Earthly time influences no sea
Willful and covetous
With each seasoned secret
Trusted in her care
That breaks the shore from the drowning descent
As opulent baubles
Deposited amongst the mosaic fragments                  
Pearlescent shells, glossy stones
Hazy glass, perforated bones

A winding trail of Poseidon's litter
Reborn as treasures  
Combed by summer’s habitual pirates
Seeking answers, deserving proof
Of a fated existence
That won’t be forgotten
Once returned
To immortal deep

E.A. O'Connell

Sunday, September 1, 2013

Girl Who Trailed Satelllites

                                                                 Lizzie O.  1995

I was the girl, ten
Too fair in her skin
Her melancholy wrapped in army-issued pants
Soft, worn
By him
Her ears plugged
Ringing with English lyrics
Feeding her
Carrying her through
The feigned concern
For a girl, twelve
In combat boots
Her budding chest emblazoned
With naked breasts
Hair aflame
Too weird for the fiends
Too skeptical for friends
Love a closed book
For a girl, fourteen
Who defiled her first edition
Dog-earing a page
For a boy in blue jeans and green Chucks
Who liked the wild spirit
And deep prismatic eyes
Of a girl, fifteen
Warm in her hoodie
On cold November asphalt
Trailing satellites

E.A. O'Connell

Thursday, August 29, 2013

Through August Eyes

Evening rouses and fixes her eyes on the summer rich dunes
She casts her pale calm
Slowly stretching and billowing, gently floating to the graying sand
Cooling the sun’s relentless burn
Her pastel breezes perform a seductive dance that caress the tall grasses
Massaging and persuading the release of their unyielding posture
The downy plumes bowing in echo to the impulsive ocean’s roll
Energies colliding and reabsorbing, colliding, reabsorbing, colliding, reabsorbing
The undulating sand chills under the searing sky
Its encore a live wire blaze of goldenrod, marigold, and coral
Diving into the depths of gradient blue
Giving new degrees of warmth to the salt air
Blossoming with succulent life, woody stems, arid sands
Ground hugging bushes of a prickly nature
Find themselves in good standing with the soft needle trees of small stature
Abud with tender new life
All in harmony with the pink and yellow tufts of button-faced flowers
Who find their good nature reciprocated in cheerful star-shaped chubby hands
Gifted in mother nurturing palms threaded with profound lines of happiness

E.A. O'Connell